NCERT Solutions Class 11 Woven Words ( Essay) Chapter-26 (The Story)
Class 11 (Woven Words )
exercise questions and answers
Chapter-26 (The Story)
By E.M. Forster
Page No: 186
Understanding the Text
1. What do you understand of the three voices in response to the question 'What does a novel do' ?
Answer
The three voices stand for three different types of readers of novels. The first voice represents a good tempered person who is engaged in some other activity but is aware of the merits of literature. He does not have time and attitude to analyse the novel. He only vaguely knows that a novel deals with a story. The second voice represents the attitude of another type of readers of novel. This type of readers are aggressive and brisk. These type of readers treat novels very casually. They do not have time to analyse novels. They just want a story to read and pass time. The third voice is that of novelists like the author himself to whom story is the soul of a novel. All the three voices are unanimous that a novel ultimately tells a story.
Page No: 187
2. What would you say are 'the finer growths' that the story supports in a novel?
Answer
The finer growths that a story supports in a novel are the art of characterisation, the narrative techniques and thematic and plot structures. The story is the backbone, the basic structure without which the rest of the technicalities and structures are meaningless. It is the story line that determines the other features in a novel. The story contains the DNA of the novel.
3. How does Forster trace the human interest in the story to primitive times?
Answer
Forster traces the human interest in the story to primitive times by describing that the art of story telling is immensely old. It goes back to Neolithic times, perhaps to palaeolithic times. He refers to the Neanderthal man's liking of stories by referring to the anthropological evidence of the shape of the skull. To bring home the point further, Forster conjectures a picture of the primitive audience as an audience of shock heads, gaping round the camp fire, fatigued with contending against the mammoth or the woolly rhinoceros and only kept awake by suspense. The novelist drones on and, as soon as the audience guessed what happened next, they either fell asleep or killed him. Forster also refers to the character of Scheherazade who had to tell stories one after another to evade the danger of being killed by her husband. Forster mentions that Scheherazade's talent to tell suspense stories made her survive. In this way, Forster traces the human interest in the story to primitive times.
4. Discuss the importance of time in the narration of a story.
Answer
Forster brings out the importance of time in the narration of a story. He says that time is an integral part of a story. Though its appearance is both unlovely and dull, according to the essayist, yet he exhorts us to consider it first in connection with daily life. Forster says that daily life is also full of the time sense. But in daily life one can think of any situation, even going beyond the time sequence. One can chose to think of any situation in the past or in the future without going by the strict order or sequence. This one does according to the value one attaches to a particular situation. In other words, according to Forster, daily life is practically composed of two lives-- the life in time and the life by values. Our conduct reveals a double allegiance. According to the essayist, the story narrates the life in time. In our daily life one can deny that time exists and act accordingly. But in case of a story, time sense cannot be denied otherwise it becomes unintelligible. The essayist mentions about many experiments made by the story tellers and novelists in which they wanted to narrate events by not following the exact time sequence. But these experiments failed to sway the readers. According to the essayist, the basis of a novel is a story and a story is a narrative of events in time sequence.
Talking about the Text
1. What does a novel do?
Answer
A novel reflects human condition in terms of a narrative involving character or characters.
It basically tells a story that entertains us and even gives us messages. A novel may be realistic based on real life incidents or fictitious.
2. 'Our daily life reflects a double allegiance to 'the life in time' and 'the life by values'.
Answer
We all owe a double allegiance to the life in time and the life by values. Life in time refers to the exact sequence in which events occur in our lives. We often think of life, our experiences in a proper sequence. But in our thinking we may chose to think about events in a sequence of our choice. We may select experiences or events or impressions from any point of time according to their value or importance. This ability on our part shows that we can lead life by values also.
3. The description of novels as organisms.
Answer
Novels are like organisms. They have structure just as organisms have structure. A novel has a solid base in the story line. The story is the backbone of the novel. Just as an organism has birth, growth and decay, so does a novel. A novel is like a system.
Apperciation
1. How does Forster use the analogy of Scheherazade to establish his point ?
Answer
Forster uses the analogy of Scheherazade to establish his point that story telling with an element of surprise is the most important aspect in a novel. He refers to the story of Scheherazade to bring home the point that her survival depended on her ability to tell stories one after another to her husband king. Similarly, the art of novel is dependent on the story line and the surprise and suspense that a story creates. Without this element a novel cannot come into existence nor it can survive.
NCERT Solutions Class For 11 Woven Words Pdf
Short Stories
- Chapter 1- The Lament
- Chapter 2- A Pair of Mustachios
- Chapter 3- The Rocking-horse Winner
- Chapter 4- The Adventure of the Three Garridebs
- Chapter 5- Pappachi's Moth
- Chapter 6- The Third and Final Continent
- Chapter 7- Glory at Twilight
- Chapter 8- The Luncheon
Poetry
- Chapter 9- The Peacock
- Chapter 10- Let Me Not to the Marriage of True Minds
- Chapter 11- Coming
- Chapter 12- Telephone Conversation
- Chapter 13- The World is too Much With Us
- Chapter 14- Mother Tongue
- Chapter 15- Hawk Roosting
- Chapter 16- For Elkana
- Chapter 17- Refugee Blues
- Chapter 18- Felling of the Banyan Tree
- Chapter 19- Ode to a Nightingale
- Chapter 20- Ajamil and the Tigers
